Well, it looks like I have actually started using Tumblr semi-regularly, so I suppose I should stop claiming that I only barely do.
Anyway, this is for the reblogging and the randomness and all that. I've got my prop blog elsewhere, in the interest of not drowning those posts in a thousand reblogs. I may repost that stuff over here when I feel like it, tho.
You found me, mouth like a pomegranate
picking flowers in my mother’s field.
An invitation of sorts.
You took it as one and spent five months
thinking about slipping your fingers into my mouth.
I think the Earth changed the day we met,
It had been waiting for you to bare your teeth
and swallow me whole
It had been waiting for the cup of your palm
around my neck except you didn’t have to beg baby
you said “let me show you what flowers look like
from the earth up.”
and I said “yes, please. Show me your flowers,
show me your dead, show me your fingers.”
My mother warned me about gods like you,
hungry, greedy gods like you
all desire and no thought
all want and no logic
I was the same.
I skipped with you into hell
Artemis knows dragged, I know this:
I held my arms outwards and let you tie them
so softly that I asked what they were made of
and you said “prayers.”
We kissed at the entrance, open-mouthed
we kissed like we were starving,
kissed like the dead were crawling out of hell
I decorated your dark with flowers
and sat on your lap and fed you petals.
It makes me burn when they say
“Hades stole Persephone.”
and I tell them “No.
I stole him.”
eamo2747 said: I'm confused about what Beethoven was doing in the black composers post. He was German.
By golly gee! I keep forgetting that Black people didn’t exist until the Fresh Prince of Bel Air came on television! Or that Black people existed in anywhere else than Africa even with slavery going on :) My apologies.
Anyway, here’s proof that Beethoven was Black:
"… Said directly, Beethoven was a black man. Specifically, his mother was a Moor, that group of Muslim Northern Africans who conquered parts of Europe—making Spain their capital—for some 800 years.
In order to make such a substantial statement, presentation of verifiable evidence is compulsory. Let’s start with what some of Beethoven’s contemporaries and biographers say about his brown complexion:
(Louis Letronne, Beethoven, 1814, pencil drawing.)
"Frederick Hertz, German anthropologist, used these terms to describe him: ‘Negroid traits, dark skin, flat, thick nose.’
Emil Ludwig, in his book ‘Beethoven,’ says: ‘His face reveals no trace of the German. He was so dark that people dubbed him Spagnol [dark-skinned].’
Fanny Giannatasio del Rio, in her book ‘An Unrequited Love: An Episode in the Life of Beethoven,’ wrote ‘His somewhat flat broad nose and rather wide mouth, his small piercing eyes and swarthy [dark] complexion, pockmarked into the bargain, gave him a strong resemblance to a mulatto.’Beethoven’s death mask: profile and full face
C. Czerny stated, ‘His beard—he had not shaved for several days—made the lower part of his already brown face still darker.’
Following are one word descriptions of Beethoven from various writers: Grillparzer, ‘dark’; Bettina von Armin, ‘brown’; Schindler, ‘red and brown’; Rellstab, ‘brownish’; Gelinek, ‘short, dark.’
In Alexander Thayer’s Life of Beethoven, vol.1, p. 134, the author states, “there is none of that obscurity which exalts one to write history as he would have it and not as it really was. The facts are too patent.” On this same page, he states that the German composer Franz Josef Haydn was referred to as a “Moor” by Prince Esterhazy, and Beethoven had “even more of the Moor in his looks.’ On p. 72, a Beethoven contemporary, Gottfried Fischer, describes him as round-nosed and of dark complexion. Also, he was called ‘der Spagnol’ (the Spaniard).
Other “patent” sources, of which there are many, include, but are not limited to, Beethoven by Maynard Solomon, p.78. He is described as having “thick, bristly coal-black hair” (in today’s parlance, we proudly call it ‘kinky’) and a ‘ruddy-complexioned face.’ In Beethoven: His Life and Times by Artes Orga, p.72, Beethoven’s pupil, Carl Czerny of the ‘School of Velocity’ fame, recalls that Beethoven’s ‘coal-black hair, cut a la Titus, stood up around his head [sounds almost like an Afro]. His black beard…darkened the lower part of his dark-complexioned face.’
Engraving by Blasius Hofel, Beethoven, 1814, color facsimile of engraving after a pencil drawing by Louis Letronne. This engraving was regarded in Beethoven’s circle as particularly lifelike. Beethoven himself thought highly of it, and gave several copies to his friends.
Beethoven, the Black Spaniard(read more here)
They whitewashed BEETHOVEN? O_O
Thank you, history/fact-checking Tumblr.
I now feel the need to go burn every white-skinned image of Beethoven I can find.
Damn. Nobody is safe from historical whitewashing.
Within a few years, Freud buckled under this heavy pressure and recanted his conclusions. In their place he proposed the “Oedipus complex,” which became the foundation of modern psychology… Freud used this construct to conclude that the episodes of abuse his clients had revealed to him had never taken place; they were simply fantasies of events the women had wished for… This construct started a hundred-year history in the mental health field of blaming victims for the abuse perpetrated on them and outright discrediting of women’s and children’s reports of mistreatment by men.
― Lundy Bancroft
read this carve it into your brains permanently etch it into your skulls r e a d t h i s