September142014

brispeak:

acadia:

The Eddie Izzard Doctrine

Perfectly worded.

(via ursulavernon)

September92014

You found me, mouth like a pomegranate
picking flowers in my mother’s field.
An invitation of sorts.
You took it as one and spent five months
thinking about slipping your fingers into my mouth.
I think the Earth changed the day we met,
It had been waiting for you to bare your teeth
and swallow me whole
It had been waiting for the cup of your palm
around my neck except you didn’t have to beg baby
you said “let me show you what flowers look like
from the earth up.”
and I said “yes, please. Show me your flowers,
show me your dead, show me your fingers.”
My mother warned me about gods like you,
hungry, greedy gods like you
all desire and no thought
all want and no logic
I was the same.
I skipped with you into hell
Artemis knows dragged, I know this:
I held my arms outwards and let you tie them
so softly that I asked what they were made of
and you said “prayers.”
We kissed at the entrance, open-mouthed
furious kisses
we kissed like we were starving,
kissed like the dead were crawling out of hell
I decorated your dark with flowers
and sat on your lap and fed you petals.
It makes me burn when they say
“Hades stole Persephone.”

and I tell them “No.
I stole him.”

Azra.T, “Persephone”  (via hooliganhecate)

(via snakewife)

7PM

eamo2747 said: I'm confused about what Beethoven was doing in the black composers post. He was German.

teacheremmalee:

deadcatwithaflamethrower:

whitepeoplestealingculture:

By golly gee! I keep forgetting that Black people didn’t exist until the Fresh Prince of Bel Air came on television! Or that Black people existed in anywhere else than Africa even with slavery going on :) My apologies.

Anyway, here’s proof that Beethoven was Black:

"… Said directly, Beethoven was a black man. Specifically, his mother was a Moor, that group of Muslim Northern Africans who conquered parts of Europe—making Spain their capital—for some 800 years.

In order to make such a substantial statement, presentation of verifiable evidence is compulsory. Let’s start with what some of Beethoven’s contemporaries and biographers say about his brown complexion:

Beethoven2

(Louis Letronne, Beethoven, 1814, pencil drawing.)

"Frederick Hertz, German anthropologist, used these terms to describe him: ‘Negroid traits, dark skin, flat, thick nose.’

Emil Ludwig, in his book ‘Beethoven,’ says: ‘His face reveals no trace of the German. He was so dark that people dubbed him Spagnol [dark-skinned].’

Fanny Giannatasio del Rio, in her book ‘An Unrequited Love: An Episode in the Life of Beethoven,’ wrote ‘His somewhat flat broad nose and rather wide mouth, his small piercing eyes and swarthy [dark] complexion, pockmarked into the bargain, gave him a strong resemblance to a mulatto.’

deathmaskdeathmask2
Beethoven’s death mask: profile and full face

C. Czerny stated, ‘His beard—he had not shaved for several days—made the lower part of his already brown face still darker.’

Following are one word descriptions of Beethoven from various writers: Grillparzer, ‘dark’; Bettina von Armin, ‘brown’; Schindler, ‘red and brown’; Rellstab, ‘brownish’; Gelinek, ‘short, dark.’

In Alexander Thayer’s Life of Beethoven, vol.1, p. 134,  the author states, “there is none of that obscurity which exalts one to write history as he would have it and not as it really was. The facts are too patent.” On this same page, he states that the German composer Franz Josef Haydn was referred to as a “Moor” by Prince Esterhazy, and Beethoven had “even more of the Moor in his looks.’ On p. 72, a Beethoven contemporary, Gottfried Fischer, describes him as round-nosed and of dark complexion. Also, he was called ‘der Spagnol’ (the Spaniard).

Other “patent” sources, of which there are many, include, but are not limited to, Beethoven by Maynard Solomon, p.78. He is described as having “thick, bristly coal-black hair” (in today’s parlance, we proudly call it ‘kinky’) and a ‘ruddy-complexioned face.’ In   Beethoven:  His Life and Times by Artes Orga, p.72, Beethoven’s pupil, Carl Czerny of the ‘School of Velocity’ fame, recalls that Beethoven’s ‘coal-black hair, cut a la Titus, stood up around his head [sounds almost like an Afro].  His black beard…darkened the lower part of his dark-complexioned face.’

  BeethovenCweb

Engraving by Blasius Hofel, Beethoven, 1814, color facsimile of engraving after a pencil drawing by Louis Letronne. This engraving was regarded in Beethoven’s circle as particularly lifelike. Beethoven himself thought highly of it, and gave several copies to his friends.

Beethoven, the Black Spaniard

(read more here)

They whitewashed BEETHOVEN?  O_O

Thank you, history/fact-checking Tumblr.

I now feel the need to go burn every white-skinned image of Beethoven I can find.

Damn. Nobody is safe from historical whitewashing. 

September82014
September52014

tumblingmagpie:

I’ve put all of the fabric painting tutorials into one big photo post.

Includes silk painting with resist (Elven Banner), free-hand painting on stretch fabrics (Jareth from Labyrinth), fake embroidery with puffy paint (Peter of Narnia), graphite transfer paper with fabric paint pens (Tali from Mass Effect) and regular Tulip fabric paint (TARDIS lab coat).

Maybe this format is better?

(via ashbless)

useful 

2PM
“Because we live in such a monogamy-centered society, it makes sense that many people can only conceive of non-monogamy in what ultimately still amounts to monogamous terms. There is a common misconception that a polyamorous relationship is really no different from an open-relationship agreement: one committed couple, with some lighthearted fun on the side. But the word “polyamory,” by definition, means loving more than one. Many of us have deeply committed relationships with more than one partner, with no hierarchy among them and no core “couple” at the heart of it all. To me, this notion that there must be one more important relationship, one true love, feels a lot like people looking at same-sex couples and thinking that one person must be the “man” in the relationship and the other must be the “woman.” After all, both of these misunderstandings result from people trying to graft their normative conceptions of love and relationships onto people who are partnering in non-normative ways. It seems that it is somewhat easy for many people to acknowledge that humans are capable of loving one person and still enjoying sex with others (assuming, of course, that the terms of their relationship make such behavior acceptable). But it is much harder for people to think outside the fairy-tale notion of “the one” and imagine that it might be possible to actually romantically love more than one person simultaneously.” Polyamorous Relationships Are About More Than Just Couples | Angi Becker Stevens (via hobbitkaiju)

(via vandyt-xain)

September42014

ursulavernon:

shogunofyellow:

nature is rad

That last one…I know I shouldn’t anthropomorphize, but damn, they look like friends.

9PM
fashionsfromhistory:

Shaman’s Headdress
19th Century

This headdress of a “big” Evenk shaman (avun) made of steel was part of a full ritual costume worn by a shaman for very important rites and rituals. The structure of this headdress reflects its symbolic meaning and contains an archaic image of the model of the Universe. The hoop embodies the concept of the closed space of the world of people and solid earth. Two crossing arcs symbolize the parts of the world and the seasons. The cosmic vertical that reflects the sacral center of the Universe is embodied in the horns of the mythical deer that stands for the sun in the mythical beliefs of the peoples of northern Asia. The deer was one of the main characters in the myth about the celestial hunt and embodied the archaic concepts of the day and night and the cosmic order. The horns also symbolized the sacred deer – the helper spirit of the shaman, his draft animal that he rode to travel to other worlds. Long cloth ribbons embody snakes and lizards, the shaman’s powerful helpers that accompany him in his “travels” to the lower world. They also symbolize the sacred birch – the totem tree of the shaman. It is also associated with the World Tree that symbolizes the Universe as a whole and Axis mundi – the cosmic axis connecting the spheres of the Universe. Such ritual headdresses were conditionally referred to as “crowns”. (The VCM)

The Kunstkamera via the VCM

fashionsfromhistory:

Shaman’s Headdress

19th Century

This headdress of a “big” Evenk shaman (avun) made of steel was part of a full ritual costume worn by a shaman for very important rites and rituals. The structure of this headdress reflects its symbolic meaning and contains an archaic image of the model of the Universe. The hoop embodies the concept of the closed space of the world of people and solid earth. Two crossing arcs symbolize the parts of the world and the seasons. The cosmic vertical that reflects the sacral center of the Universe is embodied in the horns of the mythical deer that stands for the sun in the mythical beliefs of the peoples of northern Asia. The deer was one of the main characters in the myth about the celestial hunt and embodied the archaic concepts of the day and night and the cosmic order. The horns also symbolized the sacred deer – the helper spirit of the shaman, his draft animal that he rode to travel to other worlds. Long cloth ribbons embody snakes and lizards, the shaman’s powerful helpers that accompany him in his “travels” to the lower world. They also symbolize the sacred birch – the totem tree of the shaman. It is also associated with the World Tree that symbolizes the Universe as a whole and Axis mundi – the cosmic axis connecting the spheres of the Universe. Such ritual headdresses were conditionally referred to as “crowns”. (The VCM)

The Kunstkamera via the VCM

(via ursulavernon)

September22014
“In the 1890s, when Freud was in the dawn of his career, he was struck by how many of his female patients were revealing childhood [sexual] victimization to him. Freud concluded that child sexual abuse was one of the major causes of emotional disturbances in adult women and wrote a brilliant and humane paper called “The Aetiology of Hysteria.” However, rather than receiving acclaim from his colleagues for his ground-breaking insights, Freud met with scorn. He was ridiculed for believing that men of excellent reputation (most of his patients came from upstanding homes) could be perpetrators of incest.
Within a few years, Freud buckled under this heavy pressure and recanted his conclusions. In their place he proposed the “Oedipus complex,” which became the foundation of modern psychology… Freud used this construct to conclude that the episodes of abuse his clients had revealed to him had never taken place; they were simply fantasies of events the women had wished for… This construct started a hundred-year history in the mental health field of blaming victims for the abuse perpetrated on them and outright discrediting of women’s and children’s reports of mistreatment by men.”

― Lundy Bancroft

(via proletarianprincess)

read this carve it into your brains permanently etch it into your skulls r e a d  t h i s

(via miss-mizi)

(Source: womensliberationfront, via winneganfake)

10PM

archiemcphee:

Behold the awesomeness that is Long Ma the fire-breathing dragon-horse, the latest creation by French artist François Delarozière and his art production company La Machine. The 46-ton kinetic sculpture stands almost 40 feet tall and features articulated limbs that can gallop, rear up, and fold beneath him when he wants to sit down. His neck rises and falls and his wonderfully expressive face features eyes that open and close. Best of all, his chest swells from the pressure building in his lungs before he exhales fantastic plumes of smoke from his nostrils and jets of fire from his mouth.

This marvelous interactive sculpture was just debuted in the French city of Nantes and will soon be traveling to Beijing where he’ll be presented in October as part of the celebration of the 50th anniversary of diplomatic relations between France and China. Long Ma is based on a creature from Chinese mythology, Longma, a fabled winged horse with dragon scales, and will be the hero of a performance entitled “Long Ma Jing Shen” or “The Spirit of the Horse Dragon” during which he’ll face off against a giant spider.

Click here and here for video footage of Long Ma in all his fiery glory.

Visit the La Machine Facebook page for additional images.

[via Kotaku:Screenburn and Laughing Squid]

oh.  can I have it?

(via winneganfake)

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